I have an urgent need to get through the next three entries in this challenge as fast as possible. I do this for several reasons: first, I just ate and would like to keep an excellent lunch down and not hurl it all over this keyboard; second, I don’t have enough words to write three separate posts; and finally, the questions are stupid and demeaning to literature and to critical thinking.
Let’s see. What book is most like my life? That’s a tough one: I’m trying to decide between Rebecca of Sunny Brook Farm and Rent Boy … actually, neither of those is good since I’m not a little girl and I’m not gay. How about Der Steppenwolf? I always liked a good magic show. I’m not sure there is a novel that is even a vague facsimile of my life. Maybe I should just think about a book which has a main character who is just like me. Let’s see: stone cold and still sensitive; tall and gallant while appearing meek and unassuming; clean underwear (that’s a requirement); defends against the bad guys but abhors violence; reads poetry and detective novels; cooks a gourmet meal before cleaning his guns; associates with criminal types but is very law-abiding … oh my goodness, I’m Spenser. Who knew I was a thug … but I lied about the guns (wouldn’t touch one).
Now is there a character in a book that I really want to marry? Hardly, but there have been a few I would take on the honeymoon. Or I could be more like Caligula.
These three questions are exactly what I hate to see asked about literature. They are designed to get you thinking about fiction as if it was life, and it isn’t. Maybe this is the time to shamelessly post yet another list from the weblog; this one concerning
- The author has a contract with the reader.
- Authors are always open and honest about their works.
- Authors are the ones that know the most about what they have written.
- Authors that write highly poetic and evocative prose are better writers.
- Authors that write difficult, complex novels are only writing to impress college professors.
- Authors that write difficult, complex prose or highly allusive prose are not being considerate of their readers.
- Authors that leave out punctuation or paragraph breaks or fail to attribute every piece of dialogue are purposely making it hard for the reader.
- Authors with Creative Writing School credentials are the best writers.
- The author probably used your Aunt Martha as the model for his character in the novel.
- The author wants you to think about Aunt Martha and not waste time thinking about the character in the novel that reminded you of your Aunt.
- A novel that has at least one character that reminds you of one of your relatives or friends is a superior novel.
- A novel must have at least one likable character to identify with.
- Characters in a novel must be believable.
- A setting, if important to the novel, can be considered a character.
- The quality of the book’s cover is an accurate gauge of the quality of the book.
- The price of the book is an accurate gauge of the quality of the book.
- The bigger and fatter and heavier a book is, the better it is.
- Your liking a novel is what makes it good.
- If the publisher says a novel is an “instant classic” you can count on it being excellent.
- The value and popularity of a novel is defined solely within the text of the novel and is not affected by movie deals, talk show endorsements, or Three-for-Two sales at Barnes and Noble.