I brought up this author just the other day as a possible writer I found humorous and like earlier authors such as Swift and Twain, presented a biting satire beneath the absurdity and humor of his fiction. This morning I was checking my email and found a wonderful article on Ismael Reed by Chris Hedges on TruthDig called, The Idol Smasher. It deserves to be read and absorbed, but for a start …
The Idol Smasher
Dec 30, 2012
By Chris Hedges
Ishmael Reed has spent the last five decades smashing idols—idols of race, idols of capitalism, celebrity idols and the idols of national virtue and greatness. His essays, novels, poems, plays, songs and cartoons routinely shatter the delusions and myths of a nation stubbornly unwilling to confront its past or understand its present. He rips open a history that saw white Europeans exterminate one race and enslave another to create the nation’s prosperity, a past that includes the violent plundering of nations around the globe—Cuba, the Philippines, Vietnam, Iraq and Afghanistan among them—to show us who we have become. He names the corrosive disease of empire. He excoriates what Alexis de Tocqueville called our “perpetual practice of self-applause.” He battles back against the sophisticated forms of propaganda—especially from Hollywood—that perpetuate patriotic fantasies and pander to the dark streams of paranoia, racism and fear that run like electric currents through white society.
Reed’s righteous fury is a heartening antidote to the squeamishness of liberals and the lunacy of the right wing. He says the editors of The New York Times and most other major media outlets “sound like they get their instructions from Julius Streicher [the Nazi propagandist] when it comes to blacks.” He calls the HBO series “The Wire” “a Neo-Nazi portrait of black people” and dismisses the movie “Precious” as a film that “makes D.W. Griffith look like a progressive.”
“Lazy, no-good black people, who are welfare cheats, sitting around eating chicken, and having sex with their children, right out of the Lee Atwater-Paul Ryan playbook,” he said of the portrayals in “Precious” when I reached him by phone at his home in Oakland, Calif. “The wonderful novelist Diane Johnson was right when she said that ‘largely white’ audiences are thrilled by images of black people as dysfunctional. This has become a billion-dollar market which led critics to assert that Black Bogeyman movies sell better than sex, according to the critic C. Liegh McInnis. You even have a critic at The Root website, a post-racial ‘Talented Tenth’ hangout for ‘exceptional blacks,’ praising Quentin Tarantino’s latest sick exercise into racial porn, called ‘Django Unchained,’ ” which I critique at the Wall Street Journal site Speakeasy. This movie is being praised by the same critics who loved ‘The Color Purple’ and ‘Precious,’ probably because it revives Stanley Elkins’ discredited ‘Sambo Thesis.’ ”
Reed has no time for Black Bloc anarchists, whom he calls “alienated, spoiled middle-class white kids from the suburbs” as well as “vandals and thugs.” He calls the Oscar presentation “a white supremacist pageant.” He detests the Clintons, who he reminds us sold out the poor and the working class. Hillary, he says, makes “Eva Peron seem benign.” He predicts more tragedies like the recent Connecticut massacre, noting that many white Americans stockpile assault rifles because they are terrified of black people and that mass shootings in the United States almost always are carried out by estranged white men.
Read the full article: it will get you thinking …