A few years back I discovered the new genre advertised as Bizarro Fiction. It was very uneven but showed brief glimpses of true originality and exuberant fun. I suppose the ratio of good to bad writing in Bizarro are about the same as any other form of fiction so it’s really not fair to judge the entire genre by the amount of tedium it generates: after all, people still read Science Fiction (for whatever reason).Continue reading “A Comment on Bizarro”
Tacked on to the end of Moxie Mezcal’s novel, Concrete Underground, is the Guerrilla Manifesto. This introduces us to the field of guerrilla fiction. I thought it would be interesting to consider the ideas behind guerrilla fiction and the experimental or transgressive fiction that is championed at XFX.
First, the introduction to the Experimental Fiction (XFX) section of ACOR:
This group started on Yahoo. It was designed to concentrate on the types of fiction that we do not normally find on the front rounder at the local big-box bookstore. We call it experimental fiction but it might be considered imaginative fiction, surfiction, and the many other designations that have been applied to fiction throughout the years whenever it doesn’t follow the rules of the mainstream.
You should know by now that Carlton Mellick III is seldom accused of writing pleasant, realistic fiction. Warrior Wolf Women of the Wasteland is certainly no exception. Like all Bizarro fiction, the fun is in reading it for yourself so I don’t want to spoil the pleasure, but imagine that the fundamentalist churches grabbed all the weapons of mass destruction and in their apocalyptic delusion blew up most of the world and its people.Continue reading “Warrior Wolf Women of the Wasteland”