This may serve as a justification for the disorder I have allowed to invade my narrative. In order to preserve the sequence of Garcia’s stories, I have sacrificed my own. It is a good excuse anyway.
In the 1940s Filipe Alfau wrote his best-known novel, Chromos; it was published in 1990 and hailed as a prototype for the postmodern novel. Now I thought Tristram Shandy held this honor but I’ll admit that Chromos does benefit from a few of the postmodern tropes. Chromos also suggests the argument between the tenets of the New Criticism and the more modern literary scholarship that might explicate a passage based on what the author had for breakfast that day.
The blurb posted on Amazon is informative and succinct:
Continue reading “Chromos”
Julie Proudfoot posted an interesting list of metafiction by female authors on her weblog Proud Foot Words. Rather than just reblog I decided to repost the list and add some additional commentary concerning Meta-Fiction.
Continue reading “Meta-Fiction Revisited”
Raymond Federman is one of those authors whose personal story is equally as fascinating as anything most writers come up with. It’s so interesting that Federman uses it as the basic of most of his own writing, with one caveat: Federman insists that he cannot tell the difference between imagination and reality. So, this Federman who is the hero of all the novels … is he the real Federman, an embellished Federman, based on Federman, Federman-like, what Federman wishes Federman was, just a horny French Jew who tells a lot of stories?
Continue reading “The Remarkable Raymond Federman”