A few years back I discovered the new genre advertised as Bizarro Fiction. It was very uneven but showed brief glimpses of true originality and exuberant fun. I suppose the ratio of good to bad writing in Bizarro are about the same as any other form of fiction so it’s really not fair to judge the entire genre by the amount of tedium it generates: after all, people still read Science Fiction (for whatever reason).
At one time there was a small enough base that I actually began to create an academic bibliography of Bizarro authors and Bizarro works. One of the things I ran into, however, was an inkling of doubt that Bizarro was really sufficiently different in its definition from other types of writing. For instance, could Tristram Shandy be considered Bizarro literature? The best “definition” of Bizarro I ran across was when Carlton Mellick III (Bizarro’s Optimus Prime) stated that no one was writing the stories he wanted to read so he decided to write them himself: the result … Bizarro fiction.