Two things: my favorite author has been and remains Alain Robbe-Grillet (see) and although I find many of the postmodern works fun and thought-provoking, I turn to the Nouveau Roman for its challenges outside of the traditional definition of a novel. Earlier I discussed Robbe-Grillet and also suggested that La Jealousie was my go-to, if not favorite, novel (see).
Abrahms writes about La Jealousie in the Glossary:
Thus Alain Robbe-Grillet, a leader among the exponents of the nouveau roman (the new novel) in France, wrote Jealousy (1957), in which he left out such standard elements as plot,characterization, description of states on mind, locations in time and space, and frame of reference to the world in which the work is set. We are simply presented in this novel with a sequence of perceptions, mainly visual, which we may naturalize (that is, make intelligible in the mode of standard narrative procedures) by postulating that we are occupying the physical space and sharing the hyperacute observations of a jealous husband, from which we may infer also the tortured state of his disintegrating mind. Other new novelists are Nathalie Sarraute and Philippe Sollers.