If you consider yourself empty and distraught trying to survive without a steady diet of classic films and the artistic thrust of black and white films with wartime credentials, and especially if you are still in mourning for the Filmstruck cable channel, I highly recommend taking a peek at the new Criterion channel that just premiered.
I have been thoroughly enjoying a wonderful sampling of Columbia noir films from the 1950s. One selection was Murder By Contract, starring a young and hairy Vince Edwards.
Continue reading “In What Furnace Was Thy Brain?”
The aim of writing poetry is, for the most part …
- To make money,
- To expose the poet’s thinking and feeling,
- To allow the reader to share the poet’s experience,
- To impress chicks.
Well, if you said, “To make money” you are a true capitalist but somewhat of an idiot. Here’s what John Keating says about poetry in the film, Dead Poet’s Society:
We don’t read and write poetry because it’s cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. And medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for. To quote from Whitman, “O me! O life!… of the questions of these recurring; of the endless trains of the faithless… of cities filled with the foolish; what good amid these, O me, O life?” Answer. That you are here – that life exists, and identity; that the powerful play goes on and you may contribute a verse. That the powerful play *goes on* and you may contribute a verse. What will your verse be?
Continue reading “Is Poetry Dead?”